STUDIO PROJECTS PUBLISHERS CONTACT INVENTORY DOWNLOAD THE UNPLAYED NOTES:SOUNDTRACK FOR A MONOGRAPH WORLDWIDE I 2022 THE BOREDOM OF THE ATOM BASE PROGETTI PER L’ARTE (IT) I 2022 BROCCOLI LA COLLECTION LAMBERT (FR) I 2021 THE UNDERGROUNDSCULPTURE PARK FUNDACIÓN CASA WABI (MX) I 2020 GLORIUS READ MAM MUSÉE D’ART MODERNE DE PARIS (FR) I 2019 THE ORIGINALTHE TRANSLATION CENTRE POMPIDOU – BIBLIOTHÈQUE KANDINSKY YVON LAMBERT BOOKSHOP (FR) I 2019 SCULPT: GRUMPY BEARTHE GREAT SPINOFF TAMA TEL AVIV MUSEUM OF ART (ISR) I 2018 SIR LOUDRAGEA STILL-LIFE GALERIE MAX HETZLER (DE) I 2018 LADI ROGEURS GALERIE MAX HETZLER (FR) I 2018 THE UNPLAYED NOTESFACTORY 57TH VENICE BIENNALE (IT) I 2017 SCULPT LACMA LOS ANGELES COUNTY MUSEUM OF ART (USA) I 2016 THE UNPLAYED NOTESMUSEUM DALLAS CONTEMPORARY (USA) I 2015 [I] MUSÉE DU LOUVRE (FR) I 2013 [I] CENTRE POMPIDOU (FR) I 2013 DOES THE ANGLEBETWEEN TWO WALLSHAVE A HAPPY ENDING? MUSEUM PUNTA DELLA DOGANA (IT) I 2013 THE SNORKS: A CONCERT FOR CREATURES MK2 WORLD (FR) I 2012 THE UNPLAYED NOTES GALERIE YVON LAMBERT (FR) I 2012 THE UNPLAYED NOTES PACE GALLERY (USA) I 2012 CELLAR DOORENDS IN GUISE OF RETURN KUNSTHALLE WIEN (AT) I 2011 THE GEPPETTO PAVILLON 54TH VENICE BIENNALE (IT) I 2011 CELLAR DOORBEST AFTER THE END MUSEO CONSERVERA (ES) I 2010 SHELTERBUCKMINSTER FULLERSYNERGETIC ARTIST ART STATIONS FOUNDATION (PL) I 2010 CELLAR DOORNEVER SHIES AWAYFROM ADOPTING BOOTLEG VERSIONSOF ITSELF INTO ITS FAMILY KUNSTHALLE SANKT GALLEN (CH) I 2009 CELLAR DOORONCE IS ALWAYS TWICE ICA LONDON INSTITUTE OF CONTEMPORARY ARTS (UK) I 2008 CELLAR DOOR PALAIS DE TOKYO (FR) I 2008 WHY IS RAVEN LIKEA WRITING DESK? FRIEZE (UK) I 2006 SILENCE GOES MORE QUICKLYWHEN PLAYED BACKWARDS LE PLATEAU (FR) I 2005