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THE UNPLAYED NOTES:
SOUNDTRACK FOR A MONOGRAPH

WORLDWIDE I 2022

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BROCCOLI

LA COLLECTION LAMBERT
(FR) I 2021

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THE UNDERGROUND
SCULPTURE PARK

FUNDACIÓN CASA WABI
(MX) I 2020

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GLORIUS READ

MAM
MUSÉE D’ART MODERNE DE PARIS
(FR) I 2019

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THE ORIGINAL
THE TRANSLATION

CENTRE POMPIDOU – BIBLIOTHÈQUE KANDINSKY
YVON LAMBERT BOOKSHOP
(FR) I 2019

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SCULPT: GRUMPY BEAR
THE GREAT SPINOFF

TAMA
TEL AVIV MUSEUM OF ART
(ISR) I 2018

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SIR LOUDRAGE
A STILL-LIFE

GALERIE MAX HETZLER
(DE) I 2018

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LADI ROGEURS

GALERIE MAX HETZLER
(FR) I 2018

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THE UNPLAYED NOTES
FACTORY

57TH VENICE BIENNALE
(IT) I 2017

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SCULPT

LACMA
LOS ANGELES COUNTY MUSEUM OF ART
(USA) I 2016

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THE UNPLAYED NOTES
MUSEUM

DALLAS CONTEMPORARY
(USA) I 2015

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[I]

MUSÉE DU LOUVRE
(FR) I 2013

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[I]

CENTRE POMPIDOU
(FR) I 2013

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DOES THE ANGLE
BETWEEN TWO WALLS
HAVE A HAPPY ENDING?

MUSEUM PUNTA DELLA DOGANA
(IT) I 2013

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THE SNORKS:
A CONCERT FOR CREATURES

MK2 WORLD
(FR) I 2012

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THE UNPLAYED NOTES

GALERIE YVON LAMBERT
(FR) I 2012

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THE UNPLAYED NOTES

PACE GALLERY
(USA) I 2012

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CELLAR DOOR
ENDS IN GUISE OF RETURN

KUNSTHALLE WIEN
(AT) I 2011

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THE GEPPETTO PAVILLON

54TH VENICE BIENNALE
(IT) I 2011

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CELLAR DOOR
BEST AFTER THE END

MUSEO CONSERVERA
(ES) I 2010

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SHELTER
BUCKMINSTER FULLER
SYNERGETIC ARTIST

ART STATIONS FOUNDATION
(PL) I 2010

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CELLAR DOOR
NEVER SHIES AWAY
FROM ADOPTING BOOTLEG VERSIONS
OF ITSELF INTO ITS FAMILY

KUNSTHALLE SANKT GALLEN
(CH) I 2009

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CELLAR DOOR
ONCE IS ALWAYS TWICE

ICA LONDON
INSTITUTE OF CONTEMPORARY ARTS
(UK) I 2008

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CELLAR DOOR

PALAIS DE TOKYO
(FR) I 2008

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WHY IS RAVEN LIKE
A WRITING DESK?

FRIEZE
(UK) I 2006

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SILENCE GOES MORE QUICKLY
WHEN PLAYED BACKWARDS

LE PLATEAU
(FR) I 2005